With several pieces of writing, I attempt to navigate shifting structures that sometimes resist linearity, blending fiction with real experiences drawn from observations and interactions. The thesis doesn’t present a fixed argument. Rather, it explores the incomprehensibility of certain phenomena, the fast-moving environments, and the sense of fatigue experienced by focusing on the non-cognitive bodily sensations that shape our perception. It zooms in on everyday moments, examining how things, feelings, memories, and environments linger and interact, often remaining just beyond the reach of full understanding. Moments when happenings enter our perception but don’t fully process, inviting immersion in the realities of people and places. The writing delves into affects and energies that flow between bodies, objects, textures, and noises. The characters in my writings experience a sense of fatigue and find themselves caught in cycles of restlessness and unease, unable to fully settle or comprehend their surroundings. Their experience is one of fleetingness, with the feeling that everything, including life itself, is impermanent and difficult to grasp. Their tiredness, rather than dulling the senses, provides a unique kind of visibility, slowing attention down in rhythms while also triggering an unease that prevents them from being fully “in the moment“, leading them to zone out. Dissociation emerges as a coping mechanism for overwhelming emotions in these moments, offering a way to escape from discomfort, uncertainty, and distress. This shared, unspoken sense of unease connects people, fostering a community bound by the same uncertainty, often left unaddressed but ever-present in the undercurrent of daily life.